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The Ointment Store

You get Spelled out

added by AdobeFats 15 years ago A

Lucinda is the first to chant a spell, her words echo in the head of Tony, as if words are just beginning to lose their meanings.

Strapped over with leather and bound into a rather revealing position, Tony is hearing what the three women said, and in his thoughts he seems as if unsure whether to fight them or let be what is to be?

A try to inquire of the women as to their intentions comes out more as a whimpered whinny, shrill sounding and with the tinge as if a young man is getting very scared.

The itching sensation has turned lax and Tony notes his darkened skin color is then sprouting short hairs, hair that thickens and covers him, enveloping his entire body in a red roan cloak of horse hair. He knows the realization of this should scare him, he should fear what is happening, but oddly even to him his reaction is more of one interested in gaining of something special and or sensual.

Priscilla works diligently at tightening the straps to what is in its reality a harness made for one yearling size of some horse. As she works about making Tony conform, her wandering hands occasionally move to fondle his expanding male gender parts.

The fondling works to keep Tony from wanting to fight for keeping his humanity going; as instead the soft hands tend to work up an aroused feeling and from this comes then the first sensation of having his male organ grow, expand, and become wholly equine.

Soft tissue parts of what was a human male body begin to conform quickly to be then as the new counterparts of what for Tony he is soon to be as equine and of a special sort of breed.

Lucinda shows Tony several photos of what was his predecessor, an impressive looking stallion horse, that was like Tony; not born an animal, but made by the sisters from a man willing to lust and desire passion.

One photo was a closeup picture of the stallion standing almost upright, he mounted and humping a mare. Lucinda explains some of what in time the owner will expect from Tony, he too must learn to find his passion as might a stallion with his mares.

Nostrils and lips make the change, ear lobes and eyes become equine then too.

The changes sweep to begin muscular conforming, as shoulders pull to narrow down and arms begin to take the shapes of what for Tony is his fore legs.

Lucinda goes on in detail explaining to the changing man soon to be stallion, telling Tony the necessary mannerisms he must do to act as would a born stallion, when standing before his owner.


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