From a nearby drawer the Frenchman retrieves a set of modeling tools and starts working on Clay.
Clay's abs are refined with the help of a wooden scalpel. The excess material is expertly applied to less developed areas.
Rene then moves up to the torso where material is scraped from the more developed right side and sculpted into the left and the same process is applied to the back.
A full length mirror to the side allows Clay to watch in amazement as Rene goes to work on his extremities. Scraping material to define muscle, kneading the flesh to lengthen one hand a little bit, and finally removing all the excess fat to built up muscles through, the body.
Clay feels somewhat apprehensive as the Frenchman starts to work on his face, but his fear subsides as Rene straightens his nose. Asymmetries are removed by careful rearrangement of the skull which gives Clay a most peculiar feeling.
Finally with complex plucking motions Rene causes Clay's hair to lengthen and become fuller. Clay's hair line which had just started to recede is full again, and his hair curls in a lustrous blond mane.
Looking at his image in the mirror, Clay can't help but smile; a perfect smile on the body of a bronze Apollo.